Though now out of season, the “Christmas in Prison” program of the “Celebration Rock” series was aired shortly after Christmas, perhaps in 1980. The Future Unlimited Involvement Corps was a group of prisoners serving time at the Powhatan Correctional Center at State Farm, Virginia. I had visited the group in mid-December with my trusty Uher Report L tape recorder and asked some of them to describe what Christmas was like in that maximum security unit.
The concept was fine, and much of the music I chose fit well, but I didn’t carry it off well personally. On one level, the questions I asked showed my discomfort with the prisoners. And once I went back to the studio to edit the program together, I ad-libbed my introductions to each segment, and that made the flow between music and interviews even more awkward. Listening to the recording of the final product recently, I can’t believe how naive I sounded. Still, some of the responses the inmates gave to my queries might well be echoed in similar circumstances in penal institutions today, all these years later. If I were to have played back the show on a station last month, I doubt anyone would have known the interviews took place 28 years ago. That’s a sad commentary on the state of our prison facilities over the years: no progress.
As that “Celebration Rock” show began, the song that led us into the theme was Queen’s “Somebody to Love.”
“But everybody wants to put me down
They say I’m goin’ crazy
They say I got a lot of water in my brain
I got no common sense
I got nobody left to believe…”
Building on the idea that Christmas is usually celebrated in community, I asked one inmate about whether the holiday would bring friends together even within the prison walls. “You don’t come to jail to make friends; you come here to do what you have to do and then leave.” He said the people he was closer to there he would call “associates,” not friends; they were people he associated with, but nothing more.
When I asked about what the day would be like there, one person said life would go on whether it was Christmas or not. It’s not really that special a day, he said. But others disagreed, and spoke of heavier visitation, groups from the outside coming in to have a Mass, sing carols, or leave Christmas cards for prisoners to send out. One man told me that visitation is so crowded and such a hassle, he didn’t want his family subjected to it. When I asked what gifts they’d like for Christmas, some mentioned the long range gift of expanding the visitors center. Another wanted the “system” to consider more carefully the classification of inmates. “I’m 43,” he said, “and there’s no way somebody 16 or 17 years old ought to be in the same cell block as us.” [If I’d been a journalist, I would have done some fact-checking to see what the Corrections Center policy was on that issue.] I expected that the answers to the “gifts” question would center more on “stuff” but many responses dealt with various “reforms” the prisoners desired.
[Very often in my other prison visits and radio interviews, the prisoners would take the first opportunity to issue complaints and laments, and only later in our time together would move toward answers more closely aligned to the questions I posed.]
The next music was Harold Melvin and the Blue Notes: “Wake Up, Everybody.” And then John Prine’s “Christmas in Prison”
"The searchlight in the big yard swings round with the gun, And spotlights the snowflakes like the dust in the sun. It's Christmas in Prison, there'll be music tonight, I'll probably get homesick, I love you, goodnight.
I interviewed another man who didn’t want to have family visit at Christmas. He said he felt sorry for his mother. She would become emotional and her leaving would be too painful to balance whatever joy she’d have in seeing him. Another confessed that Christmas memories hurt. When groups came to sing carols to the prisoners, he remembered what it had been like when he was a part of the “mob” of carolers, and knew that it would be several more Christmases before he could sing those songs again on the outside. [I flinched at the term “mob,” but figured that was prison lingo for “heavenly host.”]
Another album cut: from the Little River Band, “It’s a Long Way There”
“I live for the day when I can hear people saying that they know and they care for everyone
But I feel like I’ve been here for the whole of my life, never knowing home.”
When one incarcerated man mentioned that Christmas was about peace on earth, I asked if that included peace between guards and inmates. He said that on that one day, December 25, there was more “complacency” between the guards and the guarded. But someone also told me that peace, however temporary, may be attributed to knowing their annual $4 gift is coming from the state, a reward, as one man put it, “for being good little inmates all year long.” Still, having one day when there would be less violence and more self-control on the cell block was a good thing, many guys agreed.
Next I played the Willie Nelson “classic,” “The Troublemaker.” It was about another lawbreaker, the Christmas child grown up and in trouble. Google the lyrics. The major glitch here was comparing Jesus being tried and convicted on trumped up sedition charges with these men I was interviewing, people convicted of very serious, very real crimes. I mentioned my naivete earlier. Here’s where it came out again. Certainly a primary reason for doing this theme show was to remind listeners that those we call inmates or prisoners are also fellow human beings. I ad-libbed that they had made some “mistakes” to be sure. As I listened to this recording all these years later, I thought…mistakes?! Good Lord, this was maximum security. Some of those “mistakes” had cost human lives.
Back to the theme. One man told of parties held in some of the prison shops: there would be free donuts and coffee, someone would bring in tape players for music, and they’d have half day off from their shop jobs. I learned that there were also some inmate cell block parties, but for many people it was just an occasion to try to forget it’s Christmas…play some music and maybe we won’t feel so bad.
An inmate told me that what hurts most about Christmas is missing his wife and daughter, and mother and father. He recalled the old saying that you don’t know what you’ve got until it’s gone. That led me to the Tom Waits’ song, “San Diego Serenade.”
I never saw my hometown until I stayed away too long
I never heard the melody, until I needed a song.
The same man who lamented his losses (and who admitted it was his own doing) spoke frankly about the need to put up barriers, to be on guard against letting others see your feelings. He said inmates don’t talk about loneliness or admit any vulnerabilities…”People have a tendency to take kindness for weakness.”
At that point I played one of the rare Alice Cooper cuts suitable for “Celebration Rock,” “I Never Cry.”
“If there is a tear on my face
It makes me shiver to the bone
It shakes me, Babe
It’s just a heartache that got caught in my eye
And you know I never cry, I never cry.”
Well, this has been a long entry. Congratulations for making it this far. But this was a program that I probably hadn’t played since the year it was aired, and I’d forgotten much of it.
A quick sidebar: one of the last videos I produced before leaving Richmond media for my Vermont pastorate was entitled “Justice and Mercy: The Virginia Corrections Quiz.” It was an interactive video documentary on the need for prison reform and creative sentencing. It was the last time I visited men and women at Powhatan, or any other secure facility. Said Jesus: “I was in prison…and you visited me.” Or not.